Miles Davis Electric Years VMP 7 Albums 11 LP's Box New Sealed Numbered 2000
Miles Davis Electric Years VMP Anthology 7 Albums 11 LP's Box Set Brand New Factory Sealed Numbered. The seven albums - In a Silent Way, Bitches Brew, A Tribute to Jack Johnson, Live-Evil, On The Corner, Big Fun and Get Up With It - have all been mastered AAA from 1-to-1 tape transfers of the master tapes by Ryan Smith at Sterling Sound.
The 11 LPs featured in the box come on 180g black vinyl, pressed at GZ, and will be limited in the first edition to 2,000 units. 24-page Listening Notes and photo booklet written by jazz critic and historian Ben Ratliff. Is a studio album by the American. Released on July 30, 1969, on. The album was recorded in one session date on February 18, 1969, at.
Macero edited and arranged Davis's recordings from the session to produce the album. Marking the beginning of his. Has been regarded by music writers as Davis's first.
Recording, following a stylistic shift toward the genre in his previous records and live performances. Is a studio album by the American jazz trumpeter, composer, and bandleader. It was recorded from August 19 to 21, 1969, at. In New York City and released on March 30, 1970, by. It marked his continuing experimentation with electric instruments that he had featured on his previous record, the critically acclaimed.
With these instruments, such as the. Davis departed from traditional jazz rhythms in favor of loose, rock-influenced arrangements based on improvisation. The final tracks were edited and pieced together by producer.
A Tribute To Jack Johnson is a studio album. Trumpeter, composer, and bandleader Miles Davis. It was released on February 24, 1971, by Columbia Records. The album was conceived by Davis for.
Documentary of the same name. On the life of boxer. Its two 25-minute-plus tracks were produced from recordings made on February 18 and April 7, 1970, at. Davis was inspired by the political and racial subtext of Johnson's saga as well as the.
Sounds of his own era, leading a rock-inspired line-up of musicians in the studio: guitarists. Live-Evil is an album of both live. Recordings by the American jazz. Parts of the album featured music from Davis' concert at the Cellar Door. In 1970, which producer Teo Macero.Subsequently edited and pieced together in the studio. They were performed as lengthy, dense jams. Style, while the studio recordings consisted mostly of renditions of Hermeto Pascoal.
The album was originally released on November 17, 1971. On the Corner is a studio album by the American jazz trumpeter, bandleader, and composer Miles Davis. It was recorded in June and July 1972 and released on October 11 of that year by Columbia Records. The album continued Davis' exploration of jazz fusion.
And explicitly drew on the influence of funk. And the work of collaborator Paul Buckmaster. Big Fun is an album. It was released by Columbia Records. On April 19, 1974, and compiled recordings Davis had made in sessions between 1969 and 1972. It was advertised as a new album with "four new Miles Davis compositions" One of three Davis albums released in 1974 and largely ignored, it was reissued on August 1, 2000, by Columbia and Legacy Records. With additional material, which led to a critical reevaluation. Get Up with It is an album by American jazz. On November 22, 1974, it collected previously unreleased material that Davis had recorded between 1970 and 1974, some of which dated from the sessions for his studio albums Jack Johnson. (1971) and On the Corner.